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5), kept track of the lineage of strategies and parameters used to produce a set of prototypes until the optimal combination was identified using feedback loops and a final path to resolution selected. A. 6) to manage the complexity of digital information for the fabrication of the Herzog & de Meuron-designed copper skin cladding for the de Young Museum in San Francisco. Digital model files were charted according to the operations performed (such as shearing, punching, perforating, and dimpling) and the timetable of the fabrication and assembly process.

Utges (eds), Digital Culture and Differentiation, Proceedings of the VII Congreso Sociedad Iberoamericana de Gráfica Digital (SIGraDi) 2003 Conference, Rosario, Argentina, 2003. cfm 11 Kevin R. , 2005), vol. XXIII, no. 3, Summer 2005, pp. 8–12. 35 12 See Walter Gropius, “The Architect Within Our Industrial Society,” in Scope of Total Architecture, New York: Collier Books, 1962, p. 74. ” In critique of the AIA 1949 convention addition to the mandatory rules of the Institute, Gropius offers: “I have very great doubts about the wisdom of this rule which would perpetuate the separation of design and construction.

The central requirement is clear, reliable, and consistent exchange of information among all parties involved in creating and realizing a given project. Software enables architects to manage complexly articulated designs, while digital models facilitate the exchange of information with collaborative teams, interweaving a diverse range of expertise and feedback into the design process. As a result, analysis, simulation, fabrication, and assembly information are revealed at earlier stages in the process of formulating architecture.

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